Why does macklemore sounds black

There is the kind of poverty that makes racism easy to bury underneath the performance of shared struggle. In LaGrange, black people and white people sit on porches, or take to fields with shotguns to hunt for pleasure. In the home of an old black man, I saw the heads of three deer hanging on a wall. He would have more, but he ran out of room, he told me.

Bubba Sparxxx is, in many ways, LaGrange, Georgia, personified. Eminem felt like Detroit in some ways, yes. LaGrange is the real south, the kind that our grandparents would talk about in the east, in the Midwest.

The south where time has frozen, and where stories of making it are currency. In a way that someone like, say, Yelawolf, later failed to do. No one, it seemed, was ready for an album by a white rapper with an overwhelmingly thick southern accent that was drowning in bluegrass instrumentals and stories about mud, shacks, and drinking cheap beer when something better is desired.

Bubba disappeared shortly after. My friends say they wish white rappers would write songs facing their own communities instead of pulling a white lens over our own communities. I ask them what we do if the communities intersect.

I play Deliverance for them. The thing that should crack me up about Paul Wall is that my homies all thought he was black for a year until we saw his face in a Mike Jones music video. When we finally did, after a year of only listening to songs from the Houston mixtape circuit, we gazed upon his low fade, his white face, his diamond-encrusted teeth. Some facts about Asher Roth. Asher Roth never sounded as much like Eminem as people would have you believe when we first heard him.

Asher Roth pretended to love college to sell records but never finished college in real life. Asher Roth got his song played at house parties but no one listened to his album. Which is probably fine because it got panned by critics for being frat boy navel-gazing.

Asher Roth was never in a fraternity, but he looks like he could be. Sounded like it was written by someone who had never actually spent any time at a party. Speaking of getting high, another fact about Asher Roth is that he started rapping like we all knew he could when he grew his hair out and found better weed. Critics loved him at first because he was really excited about being white. But not in the way that white supremacists are excited about being white.

He just really liked polo shirts and button-ups underneath sweaters. He looked like a guy you could bring home to parents who live in a house with more than two bathrooms.

Pittsburgh Slim is also white. Pittsburgh Slim made one shitty album on Def Jam and then got dropped from the label. Just another in the long line of bad decisions made by Jay-Z during his tenure as president of Def Jam Records. They made him show up to radio stations with pre-written freestyles.

They made him rap about things that they thought might be relatable to young black people. The joke is about how Motown used to spend the 60s selling black artists to white people. His hair is long and red now. He looks like he should be playing bass in a metal band. It was all about getting high and watching cartoons. No one listened to it. Saw him in at some festival and a drunk white woman kept yelling at him to play the college song. He never did. On the day after the Grammy awards, Macklemore started his redemption tour, attempting to show the world how sorry he was for winning the best rap album Grammy for The Heist.

An album that was certainly not the best up for the award, but also certainly not the worst. That he beat out the singular Good Kid, M. D City , released by Kendrick Lamar , was his biggest burden. Macklemore is the Great White Artist of Burdens. When he is, at all times, reflecting on the overwhelming feeling of his whiteness and analysing each corner of guilt that it causes him. I am sure that there is a place for this, the revelling in guilt for what is afforded to you due to race.

It is a hard market for a white rapper who seems deeply invested and interested in anti-racist work. White rappers definitely have privileges that black rappers do not enjoy, such as increased marketability and fanbases that are more likely to spend money on merchandise and albums.

However, getting started is, in my opinion, more difficult. Allow me to explain. When people see a white rapper on YouTube, they are already looking to tear you down. They want you to be cringe and trash. They are starting from square 0, not square 1. Compare this to black rappers. Most of them just need to have a couple homies with guns in the background or smoke a blunt on camera and not a single person on the internet will question the authenticity of their lyrics.

Is that morally right? Probably not. Because fans are looking for every little thing to tear down white rappers for, the bar is set higher to receive positive feedback. Otherwise, that like to dislike ratio is about to look like a Buzzfeed video talking about how we should believe all women no matter what they say.

Firstly, by making sure the music they release is objectively good quality. Take the time, practice the craft for at least a few months, focus on branding, and then release the first song. If someone makes a valid criticism, such as the vocals are always overbearing or the flow has been the same for the past 12 songs, listen and make adjustments. If there is true talent, it will be noticed eventually.

Keep your eyes on the prize and your dreams could potentially become a reality. These are the 5 problems with white rappers in the industry. Some rappers suffer from all 5, some dodged all of them completely. The most important thing is, just like with rappers of any other race, to be original and authentic. People will forgive the occasional corny lyric or lackluster song if those two principles are upheld. Even J Cole and Big Sean have corny lines.

Nobody cares because the vast majority of their music is good. Nardo Wick. SSG Kobe. The Problem With White Rappers. Corn Levels Are Too High. A prime example of this is Lil Dicky. Another great example is Macklemore. If you know, you know. Basically, a white Trippie Redd… but also way worse. Trying To Fit In vs. Being Original.

Sittin Sideways is and shall always be a classic. Fitting The White Stereotype. Once a proud, white prototype for wokeness in modern pop, Macklemore is now a discarded figure, a relic of ancient news cycles that are best left forgotten.

Macklemore now seems to relish his political irrelevance. In one interview to promote Gemini , he says he thought better of his previously agonized style of songwriting. Fair enough. Verno and KOC also touch on the Pacers-Jazz game that resulted in four ejections and discuss a side effect of the higher level of physicality in the game.

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